2012年10月18日星期四

www.stlouisvuittonofficial.com 11.8 x 5.9 x 5.9



La bolsa de Monogram Vernis Bedford fue nombrado en el barrio de Nueva York conocido por su energía. Su cuerpo redondeado y cierre de cremallera recordar la bolsa de Papillon.

11.8 x 5.9 x 5,www.louisvuittonoutletbusiness.com.9

- Discretamente relieve Monogram Vernis de cuero, cuero de vaca a los aranazos

- Piezas de latón dorado

- Cierre de cremallera

- Para llevar al hombro

Referencia:M91996

Sometimes designers’ motivations behind the images they choose to represent their brands can be impenetrably opaque, but other times,Louis Vuitton outlet store, the general idea is pretty obvious. Everyone understood immediately where Prada’s 1950s-car-culture-inspired Spring 2012 collection came from, for example, and the motivations behind the runway show and campaign for Louis Vuitton Fall 2012 are equally clear. Vuitton has been focusing its brand toward travel for seasons now, and in that context, having a functional locomotive on your catwalk is not exactly a mystery wrapped in an enigma.

Even so, a behind-the-scenes peek is always fun, particularly when it&rsquo,www.stlouisvuittonofficial.com;s narrated by Marc Jacobs and contains lots of close-up looks at the accessories and clothes from a collection that was rife with texture and variation. The one thing I don’t understand about the video, though, is when Jacobs said that the collection had a lightness to it. To me, long wool and leather topcoats, giant hats and two to four bags per model is anything but light, even if that’s not exactly a criticism. Check out the video, straight from Louis Vuitton, above.

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